Hothouse
Literary Journal
Category: Two Cents
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Written by Carolina Eleni Theodoropoulos Ursula K. Le Guin came into my life at the most formative time—not childhood or adolescence, but when I began to take writing seriously: in college. My first creative writing professor urged us to draw maps of our stories; “if you can’t visualize the space your characters inhabit, how will…
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By Morgan Southworth A couple of weeks ago, a LitHub article discussed the pros and cons of “Why It’s Ok to Reuse, Repurpose, and Recycle Fiction.” The article specifically focused on Sadia Shepard’s recently published short story “Foreign-Returned,” which plucks clear elements from Mavis Gallant’s 1963 short story “The Ice Wagon Going down the Street.”…
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Written by Kylie Warkentin I read Lynn Steger Strong’s piece, “Why I Wanted to Write About Anger,” on my phone in the small, suffocating apartment my grandmother owns. It feels less like a piece about anger, and more like what would result from a swell of resentment bitten off at the start once you’ve reminded…
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Written by Kevin LaTorre Sunday afternoon in the B. Iden Payne Theatre, UT’s Theatre and Dance Department closed The Drowsy Chaperone, its farcical tribute to musical theatre. To the south, across the bridge, the ZACH Theatre continues its run of the musical adaptation of A Christmas Carol until December 31. Live musicals are enduring flights…
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Written by Katelyn Connolly In her Twitter bio, Hope Ewing describes herself as a “drink pusher, writer. Not necessarily in that order.” Fittingly, in a recent article written for Literary Hub, she explores the relationship between art and alcohol abuse, an issue that hits close to home for many artists and members of creative communities.…
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Written by Carolina Eleni Theodoropoulos A couple of weekends ago at the Texas Book Festival, Karen Shepard presented her new collection, Kiss Me Someone, while in conversation with Karen Russell, author of Swamplandia! Shepard spoke heavily about the responsibility she feels as a writer to cultivate compassion for characters that sometimes appear monstrous.
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Written by Delia Davis On Thursday, the Swedish Academy awarded the 2017 Nobel Prize in Literature to Japanese-born British novelist Kazuo Ishiguro. “In novels of great emotional force,” wrote the academy, Ishiguro “has uncovered the abyss beneath our illusory sense of connection with the world.” Ishiguro’s oeuvre includes novels, screenplays, short stories, and even lyrics. Some of his more prominent…
