Literary Journal
There are some books that are better read standing up—others that are best digested lying in bed. There are few books, however, that are best enjoyed in front of a mirror at 3 o’clock in the morning. For anyone who has read Mark Z. Danielewski’s House of Leaves, this image might seem familiar—it may even reflect their own experience reading it for the first time.
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“I’m surprised you’re not analyzing Daddy,” my poetry professor, Dr. D’Arcy Randall, said as we discussed my Sylvia Plath research project. “So much of your poetry is based around your family struggles.”
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Though her name is unfamiliar to many — perhaps due to her determination to challenge social and artistic boundaries while being a woman of Jewish heritage and indeterminate genre — Mina Loy continues to complicate the emotions and perceptions of those who engage with her work.
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So, what do we do when our day-to-day lives read like the prologue of a dystopian novel?
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Fear is one of the greatest motivators in existence, so why should the genre that employs it the most be the most disdained?
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It’s time to start considering video games as legitimate mediums for effective storytelling.
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O’Connor does not presume to definitively depict his country’s most horrific period. His larger point, woven throughout a narrative which suggests storytelling itself is fallible, is that words can fail to communicate horrors, and that fiction must adapt.
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